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Asabi Overdrive/Distortion

$349
Color Standard
Condition New

ASABI VIDEO LIBRARY

Hear every side.

Swipe the playlist to explore.

JACKSON AUDIO × MATEUS ASATO

Two circuits. One evolving drive platform.

Transparent overdrive meets high-gain distortion, interchangeable analog modules, four clipping responses, active EQ, Gain Cycle, and MIDI control.

INDEPENDENT SIGNAL PATHS

Choose how you build the sound.

01

OVERDRIVE

Your tone, pushed forward.

The overdrive circuit is flat across the guitar’s frequency response, preserving your core sound while adding gain, touch sensitivity, and harmonic detail.

02

DISTORTION

Open, crisp high gain.

The stock Modern High Gain module is inspired by the response of a JCM800-style amplifier, moving from classic-rock drive to saturated modern distortion.

03

DRIVE INTO DISTORTION

More saturation, still defined.

Engage both independent circuits to push the distortion harder, increase sustain, and create a larger lead sound without giving up articulation.

REPLACEABLE DISTORTION MODULE

Change the circuit, not the pedal.

Asabi’s distortion is built on a replaceable analog circuit board. The module contains the components that create the distortion—not a digital model or software preset.

FOUR LEVEL-MATCHED CLIPPING VOICES

Change the feel, not the volume.

01

GUV’NOR STYLE

Open with high headroom.

Symmetrical LED clipping creates a wide, less-compressed response with the feel of a vintage British amplifier.

02

808 STYLE

Focused and compressed.

Two symmetrical silicon diodes provide familiar midrange focus and controlled clipping.

03

ASYMMETRICAL HIGH GAIN

Complex and responsive.

A combination of silicon and LED diodes clips each side differently for additional texture and aggressive rhythm tones.

04

SYMMETRICAL HIGH GAIN

Direct and controlled.

Four symmetrical silicon diodes create a focused, even response suited to precise high-gain sounds.

GAIN CYCLE

Four levels at your feet.

Set the GAIN knob as your maximum. Press both footswitches to advance through four equal gain stages.

25%LIGHT
50%MEDIUM
75%HEAVY
100%MAXIMUM
2 Independent circuits
4 Clipping voices
±20dB Active EQ range
EQ Three-band active EQ Bass · Middle · Treble +

The distortion circuit includes a Baxandall-style active EQ with ±20dB of adjustment per band. The middle frequency is centered around 660Hz, and all three bands are flat at noon.

PRES Presence control Global brightness and response +

PRES acts as an overall distortion tone control. Higher settings increase brightness and gain, making it useful when adjusting the pedal for different amplifiers and rooms.

MIDI External control Circuits · Clipping · Gain Cycle +
CC #1Distortion on/off CC #2Overdrive on/off CC #3Distortion clipping CC #4Gain Cycle level CC #5Overdrive clipping
SPEC Technical specifications Power · Impedance · Dimensions +
BYPASSRelay true bypass POWER9V DC maximum POLARITYCenter negative CURRENT120mA minimum INPUT1MΩ OUTPUT100kΩ SIZE2.7 × 4.875 in

OVERDRIVE · DISTORTION · ANALOG MODULES

Shape the gain.
Keep the response.

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